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Attan (Pashto: اتڼ), the national dance of Afghanistan, is a traditional dance originating from the tribal Pashtun regions. [1] [2] The dance is performed during weddings or other celebrations (engagements, weddings and informal gatherings).
The Afghan concept of music is closely associated with instruments, and thus unaccompanied religious singing is not considered music. Koran recitation is an important kind of unaccompanied religious performance, as is the ecstatic Zikr ritual of the Sufis which uses songs called na't, and the Shi'a solo and group singing styles like mursia, manqasat, nowheh and rowzeh.
Afghans enjoy music by playing many types of instruments. They also enjoy performing the Attan, which is considered the national dance of Afghanistan. What is typically heard in the country are folk songs or ballads. Many of the songs are known by almost everyone and have been around for many years.
The "Afghan National Anthem" [a] was the national anthem of the Islamic Republic of Afghanistan used from 2006 to 2021. The lyrics were written by Abdul Bari Jahani, and the music was composed by German-Afghan composer Babrak Wassa . [1] It was replaced by "This Is the Home of the Brave" after the Taliban takeover in 2021.
Afghan dancers (1 C) ... Attan; B. Bacha bazi; K. Khattak dance This page was last edited on 16 April 2024, at 12:27 (UTC). Text is available under the ...
It is an a cappella song, meaning that it does not contain musical instruments, as instruments are considered haram by the ruling Taliban. [1] It is based on the communist-era song "Da De Azadi Khawra". [2] The Islamic Emirate of Afghanistan (under Taliban rule) had formal laws specifying its flag and emblem; however, no anthem was specified. [3]
Afghan songs (1 C, 8 P) T. Tajik music (2 C, 2 P) Pages in category "Music of Afghanistan" The following 7 pages are in this category, out of 7 total.
Jill Turner of GondwanaSound Radio rated it amongst the best compilation albums of the year. [5] Chris Nickson of AllMusic praised the variety of the recording, [6] while Deanne Sole of PopMatters wrote that Broughton's choice to select a wide range of styles meant that the listener would not hear the absolute best of Afghan music, but that the album gives an "opportunity to listen to the ...