Search results
Results from the WOW.Com Content Network
In Hinduism, the four goals of life (Purusarthas) are regarded to be righteousness (), wealth (), pleasure (), and liberation ().Marriage is generally not considered necessary to fulfil these goals because following righteousness (dharma) applies to a person since birth and wealth (artha) and liberation (moksha) are again one's personal goal as dharma and need not to be aligned with marriage ...
By the Special Marriage Act, 1954, a Hindu can marry a person who is not Hindu, employing any ceremony, provided specified legal conditions are fulfilled. By Section 7 of Hindu Marriage Act, and tradition, no Hindu marriage is binding and complete before the seventh step of the saptapadi ritual, in presence of fire, by the bride and the groom ...
'seven circumambulations'), is regarded to be the most important rite (Sanskrit: rītī) of a Hindu wedding ceremony. In this rite, the bride and the groom tie a knot and take seven steps together, or complete seven rounds around a sacred fire, accompanied by one vow for each step. After the seventh, the marriage is considered complete. [1] [2]
In Mahabharata, one of two major epics of Hindus, Rishi Kanva, the foster father of Shakuntala, recommends Gandharva marriage with the statement “The marriage of a desiring woman with a desiring man, without religious ceremonies, is the best marriage.” [9] Elsewhere in Mahabharata (iii:190.36), the epic says “No man any longer asks for ...
The Ananga Ranga (Hindi: अनंगरंग, lit. 'Stage of Love or Stage of the Bodiless One') or Kamaledhiplava (Hindi: कमलेधिप्लव, lit. 'Boat in the Sea of Love') is an ancient Indian Sanskrit text written by Kalyana malla in the 15th or 16th century.
Upeksha in Sanskrit or Upekkha in Pali means equanimity, non-attachment, even-mindedness or letting go. Upeksha does not mean indifference. It is the fourth element of true love and has as its seed the wisdom of equality that removes all boundaries, discrimination and prejudices while leading to the sublime unity where there is no self and no other; without Upeksha, love becomes possessive. [1]
Chitralekha is a slim volume with a narrative that is woven around a love story, and reflects on various aspects of human life. The story commences with a dialogue between the revered hermit Ratnakar (रत्नाकर) and his disciples, Shwetaank (श्वेतांक) and Vishaldev (विशालदेव), discussing the sins of humanity.
The Hindu scriptures stress Rati's beauty and sensuality. They depict her as a maiden who has the power to enchant the God of Love. When the deity Shiva burns her husband to ashes, it is Rati, whose beseeching or penance, leads to the promise of Kama's resurrection.