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A cotton dress from c. 1865. Heavy silks in solid colors became fashionable for both day and evening wear, and a skirt might be made with two bodices, one long-sleeved and high necked for afternoon wear and one short-sleeved and low-necked for evening. The bodices themselves were often triangular, and featured a two-piece front with a closure ...
The dress on the left is an evening style. African-American preacher Juliann Jane Tillman, 1844. Style gallery — 1845–1849 ... with shawl or notched collars, ...
Picture of 1850s evening dress with a bertha neckline. Neck-line: Bertha is the low shoulder neck-line worn by women during the Victorian Era. The cut exposed a woman's shoulders and it sometimes was trimmed over with a three to six-inch deep lace flounce, or the bodice has neckline draped with several horizontal bands of fabric pleats.
A stole is a woman's shawl, especially a formal shawl of expensive fabric, used around the shoulders over a party dress or ball gown. A stole is narrower than a typical shawl and of simpler construction than a cape ; it is a length of a quality material, wrapped and carried about the shoulders or arms.
Square Paisley shawl of ca 1830 1860s ambrotype of an unnamed British veteran and his wife; the woman is wrapped in a Paisley shawl. Paisley shawls were a fashionable item of women's clothing in Europe during the late eighteenth and nineteenth centuries. Many were made of intricately woven and delicate wool, as well as examples being printed ...
The pattern of the Orenburg shawl on the postage stamp. Russian Post, 2013.. The Orenburg shawl is a Russian knitted lace textile using goat down and stands as one of the classic symbols of Russian handicraft, along with Tula samovars, the Matrioshka doll, Khokhloma painting, Gzhel ceramics, the Palekh miniature, Vologda lace, Dymkovo toys, Rostov finift (enamel), and Ural malachite.
Bustles and elaborate drapery characterize gowns of the early 1870s. The gentleman wears evening dress. Detail of Too Early by James Tissot, 1873.. 1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
Designer dresses were typically part of a designer's collection, having them altered for the wearer. Designers need to know where a dress will be worn to avoid two people from matching. [ 4 ] But if the original wearer decides to wear the dress to another event afterwards, the possibility of matching is increased.
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