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[8] [9] [10] In 1993, Senators Barbara Mikulski and Carol Moseley Braun wore pants onto the floor in defiance of the rule, and female support staff followed soon after, with the rule being amended later that year by Senate Sergeant-at-Arms Martha Pope to allow women to wear pants on the floor so long as they also wore a jacket, thus allowing ...
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The 1930s and 1970s featured exceptionally wide lapels, whereas during the late 1950s and most of the 1960s suits with very narrow lapels—often only about 1 inch (2.5 cm) wide—were in fashion. The 1980s saw mid-size lapels with a low gorge (the point on the jacket that forms the "notch" or "peak" between the collar and front lapel).
For working class women in the 1920s, tailored suits with a straight, curve less cut were popular. Throughout the decade, the lengths of skirts were rise to the knee and then to the ankle various times affecting the skirt style of tailored suits. [25] Rayon, an artificial silk fabric, was most common for working-class women clothing. [26]
Photograph of three sisters c. 1902 illustrates the "pouter pigeon" blouse or shirtwaist and trumpet-skirt that was a mainstay of middle-class clothing. Underwear (camisole (or, more likely, top half of combinations), corset, and trumpet-shaped petticoat) of 1903–04.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
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