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The Princeton is particularly famous as the basis for Mesa Boogie's Mark I, which is a heavily hot-rodded Princeton equipped with modified preamp and a Bassman transformer, allowing it a higher gain output of 60 watts. Fender produced a solid state Princeton from 1988 to 2001, the Princeton Chorus.
The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry ...
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
The amount of gain produced surprised both men, and Smith combined the cascaded design with the small form factor of the Fender Princeton, creating the first high-gain amp, the "Princeton Boogie." [1] [8] Released in 1972, the Boogies solved the issue of amps not having enough gain to sustain notes at volumes suitable for smaller venues. [4]
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Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb. [ 1 ] [ 2 ] The Super Reverb is commonly used by blues guitarists due to its ability to deliver loud, warm tube distortion through its four 10" speakers. [ 3 ]
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The Fender '65 Twin Custom 15 is a guitar amplifier produced by Fender. [1] It is a tube combo amp that pairs an 85-watt reissued Fender '65 Twin chassis with an enlarged cabinet and single 15 inch speaker.
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