Search results
Results from the WOW.Com Content Network
"Baby Blue" was released as a single in the US on 6 March 1972, in a blue-tinted picture sleeve and featuring a new mix. [1] Because Al Steckler, the head of Apple US, felt that it needed a stronger hook in the opening, he remixed the track with engineer Eddie Kramer in February 1972, applying heavy reverb to the snare during the first verse and middle eight. [1]
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation.
The Echoes were a vocal trio from Queens, New York City, most famous for their 1961 hit single "Baby Blue". The group was composed of Tommy Duffy, Harry Boyle, and Tom Morrissey. [3] [4] The three had been members of the Laurels. [3] The Echoes' first single, "Baby Blue", was a major hit, reaching No. 12 on the Billboard Hot 100. [5]
Live Vol. 1, Billy Strings I Built a World, Bronwyn Keith-Hynes Songs of Love and Life, The Del McCoury Band No Fear, Sister Sadie Earl Jam, Tony Trischka Dan Tyminski: Live From the Ryman, Dan ...
Six songs from this collection came from a cassette tape that was auctioned online in 2007. The track list is 1. Chicken Song, 2. Braille, 3. Love Affair, 4. Cinderella, 5. School is Out and 6. Sunshine. Regina gave the tape to a family friend who was in the music business. [2]
Flesh for Lulu were an English rock band formed in Brixton, London, England, active between 1982 and 1992. [4] They reformed from 2013 to 2015 with a new lineup. Initially part of the post-punk scene, the band's sound shifted to reflect influences from pop music, country and western, rhythm and blues and blues.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
HipHopDX ' s Scott Glaysher noted that the song "isn't easy on the ears" and "sounds like a chaotic carnival of bad rhymes and even worse ad-libs." [1] Listing it as one of the most forward on the album, Pitchfork ' s Dani Blum notes that the track is "familiarly propulsive," however it shows "YoungBoy Never Broke Again doing his best DaBaby impression."