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A person defending themselves against a hopping vampire/zombie can use an 8 sided mirror called Ba-qua mirror, which is often used in Feng Shui. The mirrors purpose is to reflect the light, which in turn scares the creature away. A sword charged under the light of the moon made of Chinese coins can be used in an attack against the vampire.
The cloak, a motif from Hollywood's adaptations of Dracula, appears in the jiangshi films Vampire vs Vampire and A Bite of Love. [ 14 ] The 1980 film Encounters of the Spooky Kind , directed by Sammo Hung , popularized the production of films based on the jiangshi of Chinese legends in the Hong Kong film industry, though it was not the first.
The Close Encounter of the Vampire (Chinese: 殭屍怕怕; pinyin: Jiang shi pa pa), [1] also known as The Close Encounters of Vampire, [2] [3] Dragon vs. Vampire, [4] [5] or Dragon Against Vampire, [6] [7] is a 1986 Cantonese-language Hong Kong comedy horror film directed by Lau Kar-leung. It is a jiangshi film based on Chinese folklore.
The game was designed by Banana Chan and Sen-Foong Lim, who are both Chinese immigrants. It was published independently in 2021 after a Kickstarter campaign raised over US$100,000. [2] The instructions focus heavily on authentic portrayals of Chinese history and immigrant experiences. The game's tone can range from serious to comedy horror ...
Queen Jiang (Chinese: 姜王后) is a character from the Chinese classical novels The Investiture of the Gods (Fēngshén Yǎnyì) and The Story of King Wu Conquering Zhou and Bringing Peace (全相武王伐纣平话; Wǔwáng Fá Zhòu Pínghuà).
Jiang Shi (1818-1866) was a Chinese official and poet of the late Qing period, primarily famous for his use of simpler language within the general context of Song School poetry (Neo-Confucianism). [1] He was also an expert in calligraphy, line drawing and Chinese brush painting. [2]
Mr. Vampire (Chinese: 殭屍先生) is a 1985 Hong Kong comedy horror film directed by Ricky Lau and produced by Sammo Hung.The film's box office success led to the creation of a Mr. Vampire franchise, with the release of four sequels directed by Ricky Lau from 1986 to 1992, and subsequent similarly themed films with different directors released between 1987 and 1992, with Lam Ching-ying as ...
Robbie Pleasant of Multiversity Comics praised the world building, pacing, and tension, though he also felt the story was a bit predictable. Pleasant also praised Kurazono's artwork, especially its character designs, scenery, and panel sizing. [1]
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