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Apart from the more usual prayer nuts and polyptychs, other formats include statuettes, round pendants, coffins, and perfume flasks, [51] [58] and memento mori in the form of skulls (this latter format was also used for contemporary fruitwood carvings with equally dramatic and intense results). [59]
Vanitas still life with flowers, a skull, hourglass, conch shell and silver jug on a partially draped table. Carel Fonteyn or Carel Fontyn [1] (fl Antwerp, 1655–1665) was a Flemish painter active in Antwerp. [2] He is known for his Vanitas still lifes with flowers, skulls and other Vanitas symbols. [3]
A red Cross of Saint James with flourished arms, surmounted with an escallop, was the emblem of the twelfth-century Galician and Castillian military Order of Santiago, named after Saint James the Greater. Saint Julian Cross: A Cross Crosslet tilted at 45 degrees with the tops pointing to the 'four corners of the world'.
The cross is an outstanding and moving example of the Crucifixion of Jesus, closely related to the slightly earlier life-size wooden Gero Cross in Cologne, which was a crucial work in developing the Western image of the dead crucified Christ, whose head is slumped to his shoulder, and whose sagging body forms a S shape, showing the marks of his ...
Forked cross Forked cross in St. Mary's in the Capitol, Cologne. A forked cross, is a Gothic cross in the form of the letter Y that is also known as a crucifixus dolorosus, furca, ypsilon cross, Y-cross, robber's cross or thief's cross.
Made in the Mosan region (the valley of the River Meuse), long a centre of high-quality metalwork, the bust is a masterpiece both of late Gothic metalwork and of figural sculpture. The Bust of Charlemagne, as a masterpiece of Mosan goldwork , initiated a height of silver-gilt naturalistic reliquary busts.
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