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Tsai Chin (Chinese: 蔡琴; pinyin: Cài Qín; Wade–Giles: Ts'ai 4 Ch'in 2; Pe̍h-ōe-jī: Chhoà Khîm) is a pop and folk singer from Taiwan. Tsai sings in both Mandarin Chinese and Taiwanese Hokkien .
Tsai Chin (蔡琴) Taiwan: 1st verse line 1; 3rd and 6th chorus Yu Tian (余天) Taiwan: 1st verse line 2; 3rd, 5th and 6th chorus Su Rui (蘇芮) Taiwan: 1st verse line 3; chorus; 3rd, 4th and 6th chorus; 6th and 7th harmony Michelle Pan (潘越雲) Taiwan: 1st verse line 4; 3rd and 6th chorus Jenny Tseng (甄妮) Hong Kong: 2nd verse line 1 ...
Tsai Chin was born on 1 September 1933, [2] in Tianjin (Tientsin), China, where her father was on tour. She is the third daughter of the Peking opera actor and singer Zhou Xinfang (1895—1975) and Lilian Qiu (AKA Lilian Ju; 1905–1968).
The concert was the third event of the American singer-songwriter’s Eras Tour in Singapore – a series of sold-out shows spanning six nights at the National Stadium within the Singapore Sports Hub.
This is a list of C-pop artists and groups. C-pop, which encompasses mainly Mandopop and Cantopop (and to some extent Hokkien pop and pop music of other Chinese dialects), represents the main pop music in the People's Republic of China, Taiwan, Hong Kong, Macau, Malaysia and Singapore, as well as Chinese-speaking communities in the rest of the world.
Tsai Chin (actress) (born 1933), actress from Shanghai, also known as Irene Chow Tsai Chin (singer) (born 1957), Taiwanese singer Topics referred to by the same term
Individuals rumoured to be replacing Na included Faye Wong, [2] Tsai Chin and Su Rui. [3] In an official statement, Chou's management said the rumour is "fake" as the team had yet to decide on Chou's involvement in the third season as the latter was "busy touring" and it was still premature to discuss a show that would only take place a year later.
Daughter of Shanghai is a memoir by Tsai Chin, published in 1988 by St. Martin's Press in the United States and by Chatto and Windus in the United Kingdom.. Jean Fritz in the Washington Post wrote that "The heart of this book lies in Tsai Chin's conflicts as she tried to feel at home in two cultures on opposite sides of the world."
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