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Chinese blue and white ware became extremely popular in the Middle-East from the 14th century, where both Chinese and Islamic types coexisted. [20] From the 13th century, Chinese pictorial designs, such as flying cranes, dragons and lotus flowers also started to appear in the ceramic productions of the Near-East, especially in Syria and Egypt. [21]
Blue-and-white ceramic lampstand, and phoenix-shaped vase ewers dated to the Later Lê dynasty, 15th century. Provenance Chu Đậu kiln, Hải Dương province. The Hội An wreck lies 22 miles off the coast of central Vietnam in the South China Sea. The ship was carrying a large cargo of Vietnamese ceramics from the mid- to late-15th century.
The industrialization of Chinese porcelain during the Ming dynasty was not possible without a post-production system that honored scalability as well as scarcity. Individual retail sales were important to kilns but wholesale orders were of even higher importance. [95] In reality, wholesale orders were the backbone of porcelain economics.
White porcelain jar, 18th century, Joseon Korea. Unlike Goryeo ware, which are glazed with the rich vibrant color of celadon and often featured characteristics of nature, Joseon white porcelains (baekja) are characterized by the beauty of modest forms, and minimal use of color, which conveyed the ideals of Korean Confucian state, that was preeminent at the time.
The process is slow and many pieces break during the process. Much of the ceramic is a bright blue on a white background, but other colors such as yellow, orange, green and purple can be used. The colors and designs reflected a mixed history with European, indigenous, Arab and Chinese influences.
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