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Chouseishin Gransazer (Japanese: 超星神グランセイザー, Hepburn: Chōseishin Guranseizā, English: / tʃ oʊ s eɪ ʃ ɪ n ˈ ɡ r æ n s eɪ z ər /) (translated into English as Ultra Star God Gransazer or Super Star God Gransazer, also known as only Gransazer) is a Japanese drama produced by Toho Company Ltd. and Konami.
Set in the post-World War II climate of the 1960s in Kobe, the show explores the struggle for power within the powerful Manpyo family.The cornerstone of their empire is the Hanshin Bank (阪神銀行, a fictional version of the former Kobe Bank (now Sumitomo Mitsui Banking Corporation)), controlled by the father of the clan, Daisuke Manpyo (万俵 大介).
However, the addition of the elemental qualities of the seasons results in differences between the fire signs. Aries being a Spring sign is wet (hot & dry, hot & wet), Leo being the midsummer sign gets a double dose of hot and dry and is the pure fire sign, and Sagittarius being an Autumnal sign is colder (hot & dry, cold & dry).
Segodon (西郷どん, Mr. Saigō in Kagoshima dialect [1]) is a 2018 Japanese historical drama television series and the 57th NHK taiga drama. [2] It stars Ryohei Suzuki as Saigō Takamori , who has been dubbed the last true samurai .
Galileo (ガリレオ, Garireo) is a Japanese television drama based on the Detective Galileo (探偵ガリレオ, Tantei Garireo) novels by mystery writer Keigo Higashino (東野 圭吾, Higashino Keigo). It narrates the events and cases encountered by Kaoru Utsumi, a rookie detective, and Manabu Yukawa, a university associate professor, as ...
Kami no Kiba: Jinga (神ノ牙 -JINGA-, lit. "Fang of God: Jinga") is a Japanese television series, spin-off from the Garo metaseries.The series focuses on Jinga, now a reincarnated Makai Knight while facing his past darkness he assumed during the events of Garo: Gold Storm Sho and the film Garo: Kami no Kiba. [1]
The track includes the lyrics, “just twin fire signs, four blue eyes,” a nod to her and the element of her zodiac sign (fire Taylor Swift and Astrology: Every Star Reference in Her Songs Explained
During the 1970s, executive producer Yoshiko Nishimura read the 1968 novel Saka no Ue no Kumo by Ryōtarō Shiba when he was a student at the University of Tokyo. [3] Though he dreamt of what the novel would look like on screen, his seniors at the NHK drama department thought that adapting the work was inconceivable; Shiba continuously refused throughout his life to let anyone adapt his ...