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[1] Art, a concept separate from both work and creator, thus exists as the source for them both. Rather than control lying with the artist, art becomes a force that uses the creator for art's own purposes. Likewise, the resulting work must be considered in the context of the world in which it exists, not that of its artist. [2]
Volkelt, for instance, remarks that art cannot be judged on its moral content because then Romeo and Juliet would not be good art. Such retrospective justification cannot, he stresses, be the basis for theory, as people will tend to create subjective frameworks to justify their own tastes.
Because color exhibits both biological and linguistic aspects, it has become a focus of the study of the relationship between language and thought. [3] In a 2006 review of the debate Paul Kay and Terry Regier concluded that "There are universal constraints on color naming, but at the same time, differences in color naming across languages cause ...
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"Art, Truth and Politics" (also referred to and published as "Art, Truth & Politics" and Art, Truth and Politics) is the Nobel Lecture delivered on video by the 2005 Nobel Laureate in Literature Harold Pinter (1930–2008), who was at the time hospitalised and unable to travel to Stockholm to deliver it in person.
An artistic language, or artlang, [1] [2] [3] is a constructed language designed for aesthetic and phonetic pleasure. Constructed languages can be artistic to the extent that artists use it as a source of creativity in art, poetry, calligraphy or as a metaphor to address themes such as cultural diversity and the vulnerability of the individual in a globalizing world. [4]