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In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss. ) is a glide from one pitch to another ( Play ⓘ ). It is an Italianized musical term derived from the French glisser , "to glide".
The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...
arpeggio, arpeggiato played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato
In the first example, Rodolfo's first aria in La sonnambula (1831), the portamento is indicated by the slur between the third and fourth notes. The second example, Judit's first line in Bluebeard's Castle (1912) by composer Béla Bartók, employs an inclining, wavy line between the fourth and fifth notes to indicate a continuous, steady rise in pitch.
Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect Legato: tied: A series of notes played with a smooth connection between them Col legno: with the wood: Calls for a bowed instrument's strings to be struck with the wood of the bow (rather than drawn across with the hair of the bow). Martellato ...
A series of arpeggios in J. S. Bach's Jesu, Joy of Man's Desiring "The Star-Spangled Banner" opens with an arpeggio. [1] Arpeggios open Beethoven's Moonlight Sonata and continue as accompaniment An arpeggio ( Italian: [arˈpeddʒo] ) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive ...
Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and overblowing into a wind instrument without a mouthpiece, or inserting objects on top of the strings ...
A more modern expert of the saxophone glissando is Phil Woods who can play a fluid glissando across the entire range of the horn. [11] [citation needed] Multiphonics is the technique of playing more than one note at once. A special fingering combination causes the instrument to vibrate at two different pitches alternately, creating a warbling ...