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This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
A bass recorder is a wind instrument in F 3 that belongs to the family of recorders. The bass recorder plays an octave lower than the alto or treble recorder. In the recorder family it stands in between the tenor recorder and C great-bass (or quart-bass) recorder. Due to the length of the instrument, the lowest tone, F, requires a key.
Korg D888 8-track digital recorder; Korg Kaoss Pad 3 [50] Korg MicroX compact X50, [51] half sounds from the TR, half new, with the X50's software capability; Korg X50 A stripped-down Korg TR with no sequencer but a software-linking editor librarian; Korg Pa 800 Successor of the award-winning Pa 80, but boosted with features like in the Pa1X Pro
Lower-priced amps may have a preamp out. Bass amps intended for use by professional players may have an XLR DI output so that the amp can be connected directly to a mixing board of a PA system or recording set-up. Some bass amps have a 1/4" headphone out jack, so that the bass amp can be used for silent practice.
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
The table in this section shows the standard names of modern recorders in F and C and their respective ranges. Music composed after the modern revival of the recorder most frequently uses soprano, alto, tenor, and bass recorders, although sopranino and great bass are also fairly common. [16]
The contrabass recorder plays an octave lower than the ordinary bass (or "basset") recorder. Until recently, it was the largest instrument in the recorder family, but since 1975 has been exceeded by the sub-great bass recorder (also called "contra-great bass" or simply "contrabass" recorder) in C 2 and the sub-contrabass recorder in F 1.