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This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
Some keyboard combo amps have a "sub out" jack so that the amp can be plugged into an external powered subwoofer cabinet for extra bass. Subwoofers can only produce deep bass frequencies up to about 150 or 200 Hz, so a subwoofer cabinet must be paired with a full-range speaker to obtain the full tonal range of an electric piano or organ.
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
A bass recorder is a wind instrument in F 3 that belongs to the family of recorders. The bass recorder plays an octave lower than the alto or treble recorder. In the recorder family it stands in between the tenor recorder and C great-bass (or quart-bass) recorder. Due to the length of the instrument, the lowest tone, F, requires a key.
Gallien-Krueger's bass amp heads have a "boost" control which provides a simulated tube overdrive effect. The Behringer Ultrabass BVT5500H Bass Amplifier Head has a built-in limiter and overdrive. The LowDown LD 150 bass amp has a range of overdrive sounds, from a slight hint to heavy distortion. The CUBE-20XL BASS amp includes built-in overdrive.
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
The table in this section shows the standard names of modern recorders in F and C and their respective ranges. Music composed after the modern revival of the recorder most frequently uses soprano, alto, tenor, and bass recorders, although sopranino and great bass are also fairly common. [16]