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Arlington Road is a 1999 drama film [1] directed by Mark Pellington and starring Jeff Bridges, Tim Robbins, Joan Cusack, and Hope Davis.The film tells the story of a widowed George Washington University professor who suspects his new neighbors are involved in terrorism and becomes obsessed with foiling their terrorist plot.
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The Long, Long Trailer is a 1954 American Anscocolor road comedy film based on a novel of the same name written by Clinton Twiss in 1951 about a couple who buy a new travel trailer home and spend a year traveling across the United States. [3] The film stars Lucille Ball and Desi Arnaz.
Honky Tonk Freeway is a 1981 British comedy film directed by John Schlesinger.The film, conceived and co-produced by Don Boyd, was one of the most expensive box office bombs in history, losing its British backers Thorn EMI between $11 million and $22 million and profoundly affecting its fortunes and aspirations.
Primary Colors is a 1998 American comedy-drama film directed by Mike Nichols.The screenplay by Elaine May was adapted from the novel Primary Colors: A Novel of Politics, a roman à clef about the Bill Clinton 1992 presidential campaign, which was originally published anonymously, but in 1996 was revealed to have been written by journalist Joe Klein, who had been covering Clinton's campaign for ...
There is No Escape, also known as The Dark Road and The Thurston Story, is a 1948 British drama film from Hammer Films. It was Michael Ripper's first appearance in a Hammer Film. [2] The film was based on the career of criminal Stanley Thurston, who appeared in the cast as a character based on himself.
The Path to 9/11 is a two-part miniseries that aired in the United States on ABC television on September 10–11, 2006 and in other countries. The film dramatizes the 1993 World Trade Center bombing in New York City and the events leading up to the September 11, 2001, terrorist attacks.
BBC film reviewer Neil Smith commended the efforts of both Platt and Landau in their respective roles but felt the film overall was the typical Hollywood comedy, consisting of "oafish slapstick and lavatorial humour in place of genuine wit or imagination", concluding that it "has its moments, but ultimately feels just as bogus as the Lycra-clad ...