enow.com Web Search

Search results

1. Results from the WOW.Com Content Network

2. Melakarta - Wikipedia

   en.wikipedia.org/wiki/Melakarta

   Ragas must contain the following characteristics to be considered Melakarta: They are sampurna ragas – they contain all seven swaras (notes) of the octave in both ascending and descending scale. [1] [2] The upper shadjam is included in the raga scale. [2] (ragas like Punnagavarali and Chenchurutti are not mēḷakarta as they end with nishadam)

3. Raga - Wikipedia

   en.wikipedia.org/wiki/Raga

   The adhista divides the octave into two parts or anga – the purvanga, which contains lower notes, and the uttaranga, which contains higher notes. Every raga has a vadi and a samvadi . The vadi is the most prominent svara, which means that an improvising musician emphasizes or pays more attention to the vadi than to other notes.

4. Heptatonic scale - Wikipedia

   en.wikipedia.org/wiki/Heptatonic_scale

   The first and fifth melakarta tones, corresponding to the first and eighth chromatic tones, are invariable in inflection, and the fourth melakarta tone, corresponding to the sixth or seventh chromatic tone, is allowed one of two inflections only, a natural (shuddah) position and a raised (tivra) position. The second and third melakarta tones ...

5. Ranjani - Wikipedia

   en.wikipedia.org/wiki/Ranjani

   From Dharmavati scale (59th melakarta), the panchamam is removed in this scale and the rest are used in asymmetrical manner which gives the pleasing aspect to this ragam. S R2 G2 S, S N3. D2. S - is a catch phrase that is unique to ragam Ranjani (where N3. and D2. denotes lower octave).

6. Asampurna Melakarta - Wikipedia

   en.wikipedia.org/wiki/Asampurna_Melakarta

   In the Asampurna Melakarta system, there is no set rule for the ragas in contrast to the currently used system of Melakarta ragas. [1] [2] Some ragas though are the same in both systems (like 15 - Mayamalavagowla and 29 - Dheerasankarabharanam), and in some cases the scales are same, while names are different (like 8 - Janatodi and Hanumatodi, 56 - Chamaram and Shanmukhapriya).

7. Janya - Wikipedia

   en.wikipedia.org/wiki/Janya

   Upanga ragas are strictly derived from their parent melakarta raga and do not use any note not found in the parent raga's scale. [1] [2] Examples of upanga ragas are Shuddha Saveri, Udayaravichandrika and Mohanakalyani. Bhashanga ragas have anya swara(s) (external note; note not found in parent scale) in their ārohaṇa, avarohaṇa or both.

8. File:Major thirds tuning guitar chords 1.pdf - Wikipedia

   en.wikipedia.org/wiki/File:Major_thirds_tuning...

   Fixed typos, added example of a I-IV-V chord progression, deleted appendix repeating images (because the images now appear as commons png images). Note that the CC 3.0 BY SA license information appears briefly on the first page and more extensively o...

9. Shruti (music) - Wikipedia

   en.wikipedia.org/wiki/Shruti_(music)

   A Carnatic concert. The shruti or śruti is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. [1] [2] The concept is found in ancient and medieval Sanskrit texts such as the Natya Shastra, the Dattilam, the Brihaddeshi, and the Sangita Ratnakara.