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Magtanim ay 'Di Biro (transl. "Planting rice is not a joke", [1] [a] and known in its English title as Planting Rice) [1] is a popular Tagalog folk song composed by Felipe de León. [ 2 ] [ disputed (for: conflict with source cited in talk) – discuss ] The song tells of the struggles of farmers, how one must twist and bend to plant rice in ...
A school song, alma mater, [1] school hymn or school anthem is the patronal song of a school. In England , this tradition is particularly strong in public schools and grammar schools . Australia
Ani Couni Chaouani" (Arapaho: Ani’qu ne’chawu’nani) is a traditional Native American hymn and song originating from the Arapaho tribes living on the plains of Colorado and Wyoming in the United States.
"Bayan Ko" (usually translated as "My Country"; Spanish: Nuestra patria, lit. 'Our Motherland') is one of the most recognizable patriotic songs of the Philippines.It was written in Spanish by the revolutionary general José Alejandrino in light of the Philippine–American War and subsequent American occupation, and translated into Tagalog some three decades later by the poet José Corazón de ...
PaN (Tamil: பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient pans over centuries evolved first into a pentatonic scale. But from the earliest times, Tamil Music is heptatonic and known as ēḻisai (ஏழிசை).
A drama movie titled Paroparong Bukid was released by Sampaguita Pictures in 1938, starring Rudy Concepcion, using the folk song Paru-Parong Bukid as a soundtrack. [5]In 1958, a romance film Paroparong Bukid which stars Gloria Romero, Luis Gonzales and Dolphy was released by the same production company Sampaguita Pictures.
The song is a very known Arab song, calling for Arab Unity, and focuses on Unity, Education, and keeping traditions and Arab Culture. Following the Arab Spring , the song was widely used as an unofficial Arab National Anthem in several events, including the 2011 Pan Arab Games .
"Pan American" was Williams' attempt to rewrite Roy Acuff's immensely popular version of the Carter Family's "Wabash Cannonball." Along with the church, Acuff was arguably Williams' biggest musical influence; in 1952 he insisted to Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds.