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More popularly, in the United States, the publication of Philip Johnson and Henry-Russell Hitchcock's groundbreaking International Style MOMA exhibition and book of 1932 established an official "canon" of the style, with an emphasis on Mies, Gropius, and Le Corbusier.
In 1932, the house was exhibited again, this time at the Architectural League of New York show sponsored by the Museum of Modern Art (MOMA). The MOMA show was titled The International Style - Architecture Since 1922 , which became the basis of a book by Philip Johnson and Henry-Russell Hitchcock , The International Style , a manifesto for the ...
The term "International Style" was first used in 1932 by the historian Henry-Russell Hitchcock and architect Philip Johnson to describe a movement among European architects in the 1920s that was distinguished by three key design principles: (1) "Architecture as volume – thin planes or surfaces create the building’s form, as opposed to a solid mass"; (2) "Regularity in the facade, as ...
A 1932 Museum of Modern Art architecture exhibit introduced the International Style to New Yorkers. [5]: 77 Where Art Deco favored ornamentation, International Style favored undecorated facades; Bletter summed up International Style as "less is more", and Art Deco as "more than enough."
[34] The PSFS Building was one of only two U.S. skyscrapers included in the 1932 International style exhibition at the Museum of Modern Art. Run by Henry-Russell Hitchcock and Philip Johnson, the exhibition was where the term International style was coined. [8]
The International Exhibition of Modern Architecture at the Museum of Modern Art in New York spreads the International Style. John Wiley & Sons publishes Architectural Graphic Standards by Charles George Ramsey (1884–1963) and Harold Reeve Sleeper, the first book to present the accepted architectural practices of the time in a clear and ...
In 1932, working with Hitchcock and Alfred H. Barr, Jr., he organized the first exhibition on Modern architecture at the Museum of Modern Art. [13] The show and their simultaneously published book International Style: Modern Architecture Since 1922, published in 1932, played a seminal role in introducing modern architecture to the American ...
The 4,800 sq ft (450 m 2), three-story house [13] aesthetically follows many of the principles of the International Style. It was included in the 1932 exhibit at the Museum of Modern Art in New York that retrospectively defined the style. In essence it reflects Neutra's interest in industrial production, and this is most evident in the ...