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"Manike Mage Hithe" (Sinhala: මැණිකේ මගේ හිතේ, lit. 'Precious in my Mind') is a Sri Lankan Sinhala-language song by Yohani, Satheeshan Rathnayaka and Chamath Sangeeth. [1] [2] An official cover for the song was done by Chamath Sangeeth and released on 22 May 2021. [3] The lyrics were written by Dulan ARX.
It has ample scope for alapana and swara prasthara (phrases of notes). This scale has been used by many composers for compositions in classical music. It has been used to score film music too. Here are some popular compositions in Hamsanandi. Paahi jagajanani, Sankara Sreegiri by Swati Tirunal; Srinivasa Thiruvenkata Odeya by Papanasam Sivan
"Sri Lanka Thaaye", the Tamil version of the Sri Lankan national anthem, is an exact translation of "Sri Lanka Matha", the Sinhala version, and has the same music. [27] Although it has existed since independence in 1948 it was generally only sung in the north and east of the country where the Tamil language predominates. [ 27 ]
A Musicians in Sri Dalada Maligawa. The music of Sri Lanka has its roots in five primary influences: ancient folk rituals, Hindu religious traditions, Buddhist religious traditions, the legacy of European colonisation, and the commercial and historical influence of nearby Indian culture—specifically, Kollywood cinema and Bollywood cinema.
One of the most respected singers in Sri Lankan music history, Mallawarachchi was a trending act in Sri Lanka for more than a decade, performing nearly a total of 850 songs with over 35 albums. [2] He is also known to be a music composer for most of his songs, a film play-back singer for the silver screen, a talent tabla and sitar player. [3]
Egodahage George Wilfred Alwis Samarakoon (13 January 1911 – 2 April 1962) known as Ananda Samarakoon was a Sri Lankan (Sinhalese) composer and musician. He composed the Sri Lankan national anthem "Namo Namo Matha" and is considered the father of artistic Sinhala music and founder of the modern Sri Lankan Sinhala Geeta Sahitya (Song Literature). [1]
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Swara (Sanskrit: स्वर) or svara [1] is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or saptanka.