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The Civil War was an important period in the development of American music. During the Civil War, when soldiers from across the country commingled, the multifarious strands of American music began to cross-fertilize each other, a process that was aided by the burgeoning railroad industry and other technological developments that made travel and ...
With the coming of the Civil War, the popularity of brass bands continued to grow. Promises of a famous band being attached to a regiment were used to induce recruitment, and the brass band tradition flourished. Following the war, huge peace jubilee concerts were held, where thousands of performers sometimes played.
This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush, the Civil War and Reconstruction, and touches on topics related to the intersections of music and law, commerce and industry, religion, race, ethnicity, politics, gender, education, historiography and academics.
Among some whites, slave music grew increasingly popular, especially after the American Civil War, when black and white soldiers worked together and Southern slaves fled north in huge numbers. By the end of the 19th century, minstrel shows had spread across the country, and even to continental Europe.
The "Battle Hymn of the Republic" is an American patriotic song written by the abolitionist writer Julia Ward Howe during the American Civil War. Howe adapted her song from the soldiers' song " John Brown's Body " in November 1861, and sold it for $4 to The Atlantic Monthly [ 1 ] in February 1862.
Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s This is a timeline of music in the United States . It is divided into several parts.
View history; General ... This category is for songs and music associated with the American Civil War ... Pages in category "Songs of the American Civil War"
"Ashokan Farewell" / ə ˈ ʃ oʊ ˌ k æ n / is a musical piece composed by the American folk musician Jay Ungar in 1982. For many years, it served as a goodnight or farewell waltz at the annual Ashokan Fiddle & Dance Camps, run by Ungar and his wife Molly Mason, who named the tune after the Ashokan Field Campus (now the Ashokan Center) of SUNY New Paltz in Upstate New York.