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The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Two small tigers, Two small tigers, Run so fast, Run so fast! One does not have ears! (or: One does not have eyes!) One doesn't have a tail! That's so strange, That's so strange!
An early transference in meaning was to hospitality or entertainment, and hence to food and drink, good cheer. The sense of a shout of encouragement or applause is a late use. Defoe ( Captain Singleton ) speaks of it as a sailor's word, and the meaning does not appear in Johnson's Dictionary .
Historical Chinese phonology deals with reconstructing the sounds of Chinese from the past. As Chinese is written with logographic characters, not alphabetic or syllabary, the methods employed in Historical Chinese phonology differ considerably from those employed in, for example, Indo-European linguistics; reconstruction is more difficult because, unlike Indo-European languages, no phonetic ...
"Gongxi Gongxi" (Chinese: 恭喜恭喜; pinyin: Gōngxǐ gōngxǐ; lit. 'congratulations', 'congratulations'), mistranslated in public as "Wishing You Happiness and Prosperity" (which is the meaning of gōngxǐ fācái (恭喜發財)), is a popular Mandarin Chinese song and a Chinese Lunar New Year standard. [1]
Jiayou in Standard Mandarin or Gayau in Cantonese (Chinese: 加油) is a ubiquitous Chinese expression of encouragement and support. The phrase is commonly used at sporting events and competitions by groups as a rallying cheer and can also be used at a personal level as a motivating phrase to the partner in the conversation.
That song — a catchy combination of visual gags, internal rhymes and self-aware humor — "leans into the fact that Ryan is an aces troll in real life, and Will is so great at squirming and ...
Modern Chinese music during and after this age not only relied on traditional Chinese music but also absorbed the advantages and skills of Western music. Chinese people's attitudes toward music have altered throughout this age of communication and integration, and the general public acknowledges its worth and spiritual significance. [3]