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Kathakali (IAST: Kathakaḷi pronunciation ⓘ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Indian theatre. It is a play of verses. These verses are called Kathakali literature or Attakatha. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms.
The most important traditional art forms of Kerala are Kathakali, Kalaripayattu,Mayilpeeli Thookkam, Koodiyattam, Theyyam, ...
Kathakali emerged in the southwestern region of India (modern Kerala), and is distinctive in its elaborate codified colorful makeup, masks and dress. [77] Kathakali traditionally has been troupes of predominantly male actor-dancers, who dress up as hero, heroines, gods, goddesses, demons, demonesses, priests, animals and daily life characters. [76]
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya .
Kathakali dance is a classic Indian dance form that was traditionally performed by men. [3] Dancers use masks to play different roles. This art form began in 1661 when the ruler of Kottarakkara created Ramanattam, an early version of Kathakali that dramatized episodes from the Ramayana in Malayalam, making the art form accessible to a broader audience across castes.
Native traditions of classical performing arts include koodiyattom, a form of Sanskrit drama or theatre and a UNESCO-designated Human Heritage Art.Kathakali (from katerumbu ("story") and kali ("performance")) is a 500-year-old form of dance-drama that interprets ancient epics; a popularized offshoot of kathakali is Kerala natanam (developed in the 20th century by dancer Guru Gopinath).
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The invading army staged Greek-style plays and Indians picked up the performance art. While some scholars argue that traditional Indian theatre predated it, there is a recognition that classical Greek theatre has helped transformed it. [25] The Greek origin of Indian theatre has not received popular acceptance.