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That same E might be harmonized with a C major chord (C – E – G), making it the third of the chord. This concept extends to ninths (E would act as the 9th if harmonized with a Dm7 chord – D – F – A – C – E), ♯ fifths (E would act as ♯ 5 on an A ♭ augmented chord – A ♭ – C – E), and a wide array of other options.
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Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Fauxbourdon (also fauxbordon, and also commonly two words: faux bourdon or faulx bourdon, and in Italian falso bordone) – French for false drone – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School.
Vocal harmonies have been an important part of Western art music since the Renaissance-era introduction of Mass melodies harmonized in sweet thirds and sixths. With the rise of the Lutheran church's chorale hymn singing style, congregations sang hymns arranged with four or five-part vocal harmony. In the Romantic era of music during the 1800s ...
Harmonization of regulatory standards is seen by economists as a key component in reducing trade costs and increasing interstate trade. [9] Where importing-market standards are harmonized with international standards, such as those from ISO or IEC, the negative effect on developing-country exporters is substantially lessened, or even reversed. [10]
A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's Schübler Chorales, or a combination of compositional techniques in César Franck's Three Chorales ) The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near ...