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The Lowry art gallery in Salford Quays was opened in 2000 at a cost of £106 million; named after him, the 2,000-square-metre (22,000 sq ft) gallery houses 55 of his paintings and 278 drawings – the world's largest collection of his work – with up to 100 on display. [44]
Pages in category "Paintings by L. S. Lowry" The following 6 pages are in this category, out of 6 total. ... Going to Work; I. Industrial Landscape; P. Piccadilly ...
Industrial Landscape is the title given to each of a series of oil paintings by the English artist L. S. Lowry, painted over a number of years between 1934 and 1955.. Each picture is in the form of a landscape painting, in which the traditional elements of natural beauty have been supplanted with factories, chimneys, bridges and other elements of an industrial city environment.
Going to Work is a 1943 oil painting by the English artist L. S. Lowry. Originally commissioned as a piece of war art by the War Artists Advisory Committee, it depicts crowds of workers walking into the Mather & Platt engineering equipment factory in Manchester, north-west England. The painting now hangs in the Imperial War Museum North. [1]
The Church at Auvers by Vincent van Gogh (1890), the first famous painting in the list by Cultural Tutor, ... Canaletto's Piazza San Marco, Venice, was a popular example of that practice. #16.
Paintings by L. S. Lowry (6 P) Pages in category "L. S. Lowry" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
Going to the Match is the title of a number of paintings by British painter L. S. Lowry, depicting crowds of spectators walking towards a sports ground.Lowry's best known Going to the Match painting is his 1953 painting of football fans heading towards Burnden Park, the then home of Bolton Wanderers Football Club. [1]
Although Lowry had painted portraits before (cf. the 'Horrible Heads' series from the 1930s), Portrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being "modernist", explaining ...