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Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards.
In ancient Roman myth and literature, Mors is the personification of death equivalent to the Greek Thanatos. [citation needed] The Latin noun for "death," mors, genitive mortis, is of feminine gender, but surviving ancient Roman art is not known to depict death as a woman. [1] Latin poets, however, are bound by the grammatical gender of the ...
death to all: Signifies anger and depression. mors tua, vita mea: your death, my life: From medieval Latin, it indicates that battle for survival, where your defeat is necessary for my victory, survival. mors vincit omnia "death conquers all" or "death always wins" An axiom often found on headstones. morte magis metuenda senectus
This is a list of Latin words with derivatives in English language. Ancient orthography did not distinguish between i and j or between u and v. [1] Many modern works distinguish u from v but not i from j. In this article, both distinctions are shown as they are helpful when tracing the origin of English words. See also Latin phonology and ...
La petite mort (French pronunciation: [la pətit mɔʁ]; lit. ' the little death ') is an expression that refers to a brief loss or weakening of consciousness, and in modern usage refers specifically to a post-orgasm sensation as likened to death. [1] The first attested use of the expression in English was in 1572 with the meaning of "fainting ...
Livor mortis (from Latin līvor 'bluish color, bruise' and mortis 'of death'), postmortem lividity (from Latin post mortem 'after death' and lividitas 'black and blueness'), hypostasis (from Greek ὑπό (hypo) 'under, beneath' and στάσις (stasis) 'a standing') [1] [2] or suggillation, is the second stage of death and one of the signs of ...
Inside a recording room at Queen Mary University of London, a group of researchers fiddle with novel artificial intelligence (AI) tools to develop what they call the "new virtual worlds" of music.
The full Latin sentence is usually abbreviated into the phrase (De) Mortuis nihil nisi bonum, "Of the dead, [say] nothing but good."; whereas free translations from the Latin function as the English aphorisms: "Speak no ill of the dead," "Of the dead, speak no evil," and "Do not speak ill of the dead."