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135 film. The film is 35 mm (1.4 in) wide. Each image is 24×36 mm in the most common "small film" format (sometimes called "double-frame" for its relationship to the "single-frame" 35 mm movie format or full frame after the introduction of 135 sized digital sensors; confusingly, "full frame" was also used to describe the full gate of the movie format half the size).
In the US, size names are often denoted with a code of the format nR, where the number n represents the length of the shorter edge in inches. In the normal series, the long edge is the length of the short edge plus 2 inches (10 in or less) or 3 inches (11 in and above).
The usual frame size of 35mm still cameras is 24×36 mm, however half-frame cameras typical use an image area of 18×24 mm. One net result of this is that a roll of film can typically contain twice the number of exposures as in a full frame 35mm camera (that is, a roll that is nominally 36 exposures allows 72 in the half-frame format).
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Normally, 24 frames are needed for one second of film. In ordinary filming, the frames are photographed automatically, one after the other, in a movie camera. In special effects or animation filming, the frames are often shot one at a time. The size of a film frame varies, depending on the still film format or the motion picture film format.
The M3 advanced film via a lever rather than a knob, the first M3s required two strokes to advance the film, after 1958 M3's were single stroke. Early M3s lacked a frame preview selector lever to switch between frame lines. MP – 1956–57 (Total of 402 sets were manufactured). The original MP was based on the M3 and could be fitted with a ...
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