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Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. Monasteries produced many of the illuminated manuscripts devoted to religious works using the illustrations to highlight specific parts of text, a saints' martyrdom for example, while others were used for ...
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise.
Christ Pantocrator from Saint Catherine's Monastery in Sinai. Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the ...
The Palaeologan Renaissance or Palaiologan Renaissance is the final period in the development of Byzantine art. Coinciding with the reign of the Palaiologoi, the last dynasty to rule the Byzantine Empire (1261–1453), it was an attempt to restore Byzantine self-confidence and cultural prestige after the empire had endured a long period of ...
In Christian iconography, Christ Pantocrator ( Greek: Χριστὸς Παντοκράτωρ) [1] is a specific depiction of Christ. Pantocrator or Pantokrator, literally ruler of all, but usually translated as "Almighty" or "all-powerful", is derived from one of many names of God in Judaism . The Pantokrator is largely an Eastern Orthodox or ...
Icon of the Triumph of Orthodoxy depicting the "Triumph of Orthodoxy" over iconoclasm under the Byzantine empress Theodora and her son Michael III, late 14th to early 15th century. Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [i] is the social belief in the importance of the destruction of icons ...
A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon ...
Theotokos ( Greek: Θεοτόκος) [a] is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are Dei Genitrix or Deipara (approximately "parent (fem.) of God "). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek ...
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