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Adding to its dual engagement with musical and visual art forms, vaporwave embraces the Internet as a cultural, social, and aesthetic medium. [40] The visual aesthetic (often stylized as " AESTHETICS ", with fullwidth characters) [ 20 ] incorporates early Internet imagery, late 1990s web design, glitch art , and cyberpunk tropes, [ 12 ] as well ...
GIF was one of the first two image formats commonly used on Web sites, the other being the black-and-white XBM. [5] In September 1995 Netscape Navigator 2.0 added the ability for animated GIFs to loop. While GIF was developed by CompuServe, it used the Lempel–Ziv–Welch (LZW) lossless data compression algorithm patented by Unisys in 1985.
The camera weighed 8 pounds (3.6 kg), recorded black-and-white images to a cassette tape, had a resolution of 0.01 megapixels (10,000 pixels), and took 23 seconds to capture its first image in December 1975. The prototype camera was a technical exercise, not intended for production. [20]
Animated GIF images are not processed by the server. When a smaller size is specified the original full sized animated GIF image is served. Whether the animated GIF image is subsequently scaled to fit the allotted space belongs to the capabilities of the receiving browser. Resizing an animated GIF image will significantly reduce its quality ...
In computing terminology, black-and-white is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of gray, is referred to in this context as grayscale. [2]
Black and White: Land, Labor, and Politics in the South, an 1884 book published in the U.S. by Timothy Thomas Fortune; Black and White, a British illustrated weekly 1891–1912
Raw images include binary (black-and-white) or grayscale data generated in response to infrared or ultraviolet or other energy lying outside the visible light spectrum—requiring people to make technical decisions for how to transform the raw digital data into colorized pictures for human viewing. [18]
The women's shoes of the early Victorian period were narrow and heelless, in black or white satin. By 1850s and 1860s, they were slightly broader with a low heel and made of leather or cloth. Ankle-length laced or buttoned boots were also popular. From the 1870s to the twentieth century, heels grew higher and toes more pointed.