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Central pattern generators (CPGs) are self-organizing biological neural circuits [1] [2] that produce rhythmic outputs in the absence of rhythmic input. [3] [4] [5] They are the source of the tightly-coupled patterns of neural activity that drive rhythmic and stereotyped motor behaviors like walking, swimming, breathing, or chewing.
The Euclidean rhythm in music was discovered by Godfried Toussaint in 2004 and is described in a 2005 paper "The Euclidean Algorithm Generates Traditional Musical Rhythms". [1] The greatest common divisor of two numbers is used rhythmically giving the number of beats and silences, generating almost all of the most important world music rhythms ...
A gentler exploration of additive patterns can be found in "Le Regard de la Vierge" from the same composer's piano cycle Vingt regards sur l'enfant-Jésus. György Ligeti's Étude No. 13, "L'escalier du diable" features patterns involving quavers grouped in twos and threes. The rhythm at the start of the study follows the pattern 2+2+3, then 2 ...
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Béla Bartók's Mikrokosmos (Hungarian: Mikrokozmosz) Sz. 107, BB 105 consists of 153 progressive piano pieces in six volumes, written between 1926 and 1939 [1] and published in 1940. [2] The individual pieces progress from very easy and simple beginner études to very difficult advanced technical displays, and are used in modern piano lessons ...
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
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