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Even better: Rather than looking like a character in a period drama when you put a cape on, the options—from preppy, to demure, to surprisingly sporty—feel modern instead of too much like a ...
Mary Duffy's Big Beauties was the first model agency to work with hundreds of new plus-size clothing lines and advertisers. For two decades, this plus-size category produced the largest per annum percentage increases in ready-to-wear retailing. Max Mara started Marina Rinaldi, one of the first high-end clothing lines, for plus-size women in ...
Her skirt is gathered with wide, flat pleats, and the pleating on her bodice is visible through the black lace. Fashion illustration of 1849. The lady on the left wears a low-waisted morning dress and an outdoor bonnet. The lady on the right wears a short jacket over her dress and a lacey indoor cap.
The ferraiolo (also ferraiuolo, ferraiolone) is a type of cape traditionally worn by clergy in the Catholic Church on formal, non-liturgical occasions. [1] It can be worn over the shoulders, or behind them, extends in length to the ankles, is tied in a bow by narrow strips of cloth at the front, and does not have any 'trim' or piping on it.
The upper part of dresses could now be tailored exactly to the body. Men's dresses were buttoned on the front and women's dresses got a décolletage. The lower part of men's dresses were much shorter in length than those for women. They were wide cut and often pleated with an A-line so that horse riding became more comfortable.
These may be ready-made in silk, rayon, or velvet with macramé fringes. Other head coverings and shawls are lengths of fabric cut to size and hemmed, sometimes with added trims of beads or tassels. When it isn't, it is an over dress made of black fabric. In cities this dress is usually of a shiny fabric like silk, rayon, or satin.
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