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Working primarily in acrylic, ink, and collage, Red Star draws inspiration from Crow culture and history. Via Gambaro Gallery, which was launched by Retha Walden Gambaro and Stephen Gambaro to spotlight contemporary Native American artists, included Red Star's work in its Indian Artists, 1977 exhibition as "representative of the new generation of Indian painters" alongside Native American ...
This list includes notable visual artists who are Inuit, Alaskan Natives, Siberian Yup'ik, American Indians, First Nations, Métis, Mestizos, and Indigenous peoples of Mexico, the Caribbean, Central America, and South America. Indigenous identity is a complex and contested issue and differs from country to country in the Americas.
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
The Crow were known for having elaborate garments and being skilled warriors. Black Hawk depicts a gathering of Crow warriors in which each of the 25 men is uniquely dressed. [1]: 78 Black Hawk is one of the only indigenous artists to depict an enemy tribe. [1]: 84 Black Hawk's drawings also include several scenes of warfare. In many of the ...
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
The Crow, whose autonym is Apsáalooke ([ə̀ˈpsáːɾòːɡè]), also spelled Absaroka, are Native Americans living primarily in southern Montana. Today, the Crow people have a federally recognized tribe, the Crow Tribe of Montana, [1] with an Indian reservation, the Crow Indian Reservation, located in the south-central part of the state. [1]
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The primary non-Native source for academic information on Zuni fetishes is the Second Annual Report of the Bureau of Ethnology submitted in 1881 by Frank Hamilton Cushing and posthumously published as Zuni Fetishes in 1966, with several later reprints. Cushing reports that the Zuni divided the world into six regions or directions: north, west ...