Search results
Results from the WOW.Com Content Network
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
Christ Triumphant over Sin and Death, also known as Christ Triumphant over Death and Sin, or sometimes as Salvator Mundi, is a circa 1618 oil painting by the Flemish Baroque artist Peter Paul Rubens. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 235. [2]
Cristo de la Concordia (Christ of Peace) is a statue of Jesus Christ located atop San Pedro Hill, to the east of Cochabamba, Bolivia. It is accessible by cable car, or by climbing 2,000 steps. The statue is 33.44 metres (109.7 ft) tall, on a pedestal of 6.24 metres (20.5 ft), for a total height of 39.68 metres (130.2 ft).
Three of his paintings were purchased by John D. Rockefeller Jr.: the 1882 studio copy of Christ in the Tempel (1881), Christ and the Young Rich Man (1889), and Christ in Gethsemane (1890). These now are displayed at the Riverside Church in New York City. Scene from the Life of Alboin, King of the Langobards, 1845
Christ Giving the Keys to Saint Peter (Pittoni) Christ Giving the Keys to Saint Peter (Rubens) Christ Healing the Blind (Champaigne) Christ in Glory with Four Saints and a Donor; Christ in Glory with Saint Peter and Saint Paul; Christ in Glory with Saints and Odoardo Farnese; Christ in the Desert; Christ in the House of Martha and Mary (Velázquez)
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...
Didron, Adolphe Napoléon, Christian Iconography: Or, The History of Christian Art in the Middle Ages, Translated by Ellen J. Millington, H. G. Bohn, (Original from Harvard University, Digitized for Google Books) – Volume I, Part I (pp. 25–165) is concerned with the halo in its different forms, though the book is not up to date.
Sopocko was a professor of theology at the University of Vilnius and introduced Kowalska to Kazimirowski, who was a professor of art there and had painted other religious images. Kowalska gave Kazimirowski specific instructions about the appearance and the posture of the image, which she said she had received from Jesus Christ in a vision.