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The Opera House is a level in the 1994 role-playing video game Final Fantasy VI developed by Square. Taking place partway through the game, it occurs when the game's characters require an airship , the only one of its kind, owned by the adventurer and gambler Setzer .
Final Fantasy VI Original Soundtrack is a soundtrack album containing musical tracks from the game, composed and produced by Nobuo Uematsu. The album was originally released through NTT Publishing on March 25, 1994, under the name Final Fantasy VI Original Sound Version and the catalog numbers PSCN-5001~3, and was later re-released by Square Enix on October 1, 2004, with the new name and ...
Like previous installments, Final Fantasy VI consists of four basic modes of gameplay: an overworld map, town and dungeon field maps, a battle screen, and a menu screen. The overworld map is a scaled-down version of the game's world, which the player uses to direct characters to various locations.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Celes Chere (Japanese: セリス・シェール, Hepburn: Serisu Shēru) is a character and protagonist in the video game Final Fantasy VI.She was created by Yoshinori Kitase and was his favorite character in the game.
FF6 may refer to: Final Fantasy VI, a 1994 role-playing game originally released on the Super NES; Fast & Furious 6, a 2013 film; Firefox 6, a web browser
Kefka first appears as a general to Emperor Gestahl, serving as his court mage. [8] Prior to the start of the game, he was the first human to be experimentally infused with the magic-like craft "Magitek", which granted him the ability to wield magic, although the imperfect process warped his mind and made him into the nihilistic psychopath he is during the course of the game. [9]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.