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Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional ...
The Christmas Pantomime colour lithograph book cover, 1890, showing harlequinade characters. Pantomime (/ ˈ p æ n t ə ˌ m aɪ m /; [1] informally panto) [2] is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser ...
A pantomime dame is a traditional role in British pantomime. It is part of the theatrical tradition of travesti portrayal of female characters by male actors in drag . Dame characters are often played either in an extremely camp style, or else by men acting butch in women's clothing.
Illustration of the Harlequinade in The Forty Thieves, showing Swell, Pantaloon, Harlequin, Columbine (above), Clown and Policeman. The Forty Thieves is a "Pantomime Burlesque" written by Robert Reece, W. S. Gilbert, F. C. Burnand and Henry J. Byron, created in 1878 as a charity benefit, produced by the Beefsteak Club of London.
The 1944 pantomime was Old Mother Red Riding Boots, written by the princesses and Tannar as a "mash up" of six traditional pantomime stories. [1] [6] Elizabeth wore a pink satin dress with lace sleeves to play 'Lady Christina Sherwood' and Margaret portrayed 'The Honourable Lucinda Fairfax' in a "blue taffeta dress with cream lace bloomers". [3]
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Sarah Bernhardt as Hamlet. Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex.. For social reasons, female roles were played by boys or men in many early forms of theatre, and travesti roles continued to be used in several types of context even after actresses became accepted on the stage.
In the early 19th century, the popular comic performer Joseph Grimaldi turned the role of Clown from "a rustic booby into the star of metropolitan pantomime". [8] Two developments in 1800, both involving Grimaldi, greatly changed the pantomime characters: For the pantomime Peter Wilkins: or Harlequin in the Flying World, new costume designs were introduced.