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4D film is a presentation system combining motion pictures with synchronized physical effects that occur in the theater. Effects simulated in 4D films include motion, vibration , scent , rain, mist, bubbles, fog, smoke, wind, temperature changes, and strobe lights.
4DX is a 4D film presentation system developed by CJ 4DPlex, a subsidiary of South Korean cinema chain CJ CGV. It allows films to be augmented with various practical effects, including motion-seats, wind, strobelights, simulated snow, and scents. First debuted in 2009, it presents films in both stereoscopic 3D and monoscopic 2D formats. [1]
Sesame Street 4-D Movie Magic (known as Sesame Street Presents Lights Camera Imagination! 4-D at SeaWorld and Busch Gardens Williamsburg parks, and Sesame Street Film Festival 4-D at Busch Gardens Tampa) was a 4D film theme park attraction formerly located at Universal Studios Japan, SeaWorld San Diego, SeaWorld San Antonio, Busch Gardens Williamsburg and Busch Gardens Tampa Bay.
4D Audio Recording system, an audio recording system developed by Deutsche Grammophon; 4D film, a high technology film experience augmented with physical or environmental effects; 4DTV, a satellite TV broadcasting technology from Motorola; 4DX, a 4D film format "4D", a song by Grand Mixer DXT and Bill Laswell from Aftermathematics (2003)
In 3D. First 4DX film in Spain, Belgium and The Netherlands. [256] [257] Thor: Ragnarok: November 3, 2017: In 3D. [258] Blade Runner 2049: October 6, 2017: In 3D. [259] Satan's Slaves: September 28, 2017: First Indonesian film in 4DX format. (Selected territories) [260] Kingsman: The Golden Circle: September 20, 2017 [261] War for the Planet of ...
A 4D film is a film presented with additional in-theater physical interactions. Subcategories. This category has only the following subcategory. 0–9. 4DX films (180 ...
MX4D is a 4D film presentation system developed by the American company MediaMation that allows a film to be augmented with environmental effects, such as motion, odors, and humidity. It uses theater seats which tilt forward, backward, and to the side in synchronization with onscreen motion, as well as air blasts, tactile effects, and other ...
The film was released as a 70 mm/5 perforation dual print polarized 3-D attraction film 17 minutes in length, [33] and was directed by Keith Melton, [34] and written by Eric Idle. [35] It was in Eastman Color, and was filmed by 3-D Cinematographer Peter Anderson in a 2.1:1 aspect ratio. It featured Dolby Digital sound, although this was usually ...