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The name cornrows refers to the layout of crops in corn and sugar cane fields in the Americas and Caribbean, [1] [6] where enslaved Africans were displaced during the Atlantic slave trade. [7] According to Black folklore, cornrows were often used to communicate on the Underground Railroad and by Benkos Biohó during his time as a slave in ...
The Merveilleuses scandalized Paris with dresses and tunics modeled after the ancient Greeks and Romans, cut of light or even transparent linen and gauze. Sometimes so revealing they were termed "woven air", many gowns displayed cleavage and were too tight to allow pockets. Oftentimes, the gowns were dampened in order to cling to the figure. [3]
Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
The clothing of men and women at several social levels of Ancient Egypt are depicted in this tomb mural from the 15th century BC. The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures ...
Instead, less prosperous but still free farmers also did not wear these brooches. This research points to the fact that oval brooches were worn by women who had the same legal position as men or were in a position of authority on a farm. The women of later Anglo-Saxon England, outside of East Kent, mostly wore an ensemble of multiple layered ...
French reportedly broke with convention in order to pursue job opportunities open only to men: she claimed to the New York Daily Times that she could "get more wages" dressed as a man. [7] Anti-vagrancy laws were also used to arrest Jennie Westbrook in New York, in 1882 and 1883. Westbrook's case was said at the time to have "awakened deep ...
For women's dress, the day-to-day outfit of the skirt and jacket style were practical and tactful, recalling the working-class woman. [3] Women's fashions followed classical ideals, and stiffly boned stays were abandoned in favor of softer, less boned corsets. [4] This natural figure was emphasized by being able to see the body beneath the ...
The Venus of Brassempouy (French: la Dame de Brassempouy, [la dam də bʁasɛ̃pwi], meaning "Lady of Brassempouy", or Dame à la Capuche, "Lady with the Hood") is a fragmentary ivory figurine from the Upper Palaeolithic, apparently broken from a larger figure at some time unknown. It was discovered in a cave at Brassempouy, France in 1894. [1]