Search results
Results from the WOW.Com Content Network
Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan.
The Funeral of the Anarchist Galli (Il Funerale dell’anarchico Galli) is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The ...
The painting will be auctioned on Nov. 20 in Toronto, with its value estimated at $100,000 to $200,000. Canadian painter Emily Carr’s artwork will be sold at auction. Facebook
For painters with more than one painting in the WGA collection, or for paintings by unnamed or unattributed artists, see the Web Gallery of Art website or the corresponding Wikimedia Commons painter category. Of the 2,463 painters in the WGA database, over a quarter are Italians and about a third were born in the 17th century, and they are ...
File: Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg
For example, Carlone is known for painting the ceiling images in the Upper Belvedere of the Belvedere palace complex. His The Glorification of Saints Felix and Adauctus (1759–1761) was commissioned for the cupola of the church of San Felice del Benaco on Lake Garda. He died at Como.
Born in Prestinone into a humble family of Valle Vigezzo farmers in 1871, his talent emerged after he began attending courses in painting, drawing and ornamentation at the local Rossetti Valentini Art School [1] in Santa Maria Maggiore, where he became close friends with other future painters such as Giovanni Battista Ciolina, Gian Maria Rastellini and Lorenzo Peretti Junior, and absorbed the ...