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The poem is a dream vision; the first line reads "I wander all night in my vision". [6] At the beginning of the poem, the narrator is described as "Wandering and confused, lost to myself, ill-assorted, contradictory". In the dream, they travel to various places, visiting people as they are asleep.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy, when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District. [4]
Richard Siken’s 2004 poetry book Crush begins with a poem titled "Scheherazade". Ted Chiang's 2007 novelette The Merchant and the Alchemist's Gate is a science-fiction pastiche of the Nights that uses its premise to drive a similar nesting structure of stories. David Foster's 2009 novel Sons of the Rumour is a pastiche of the Nights. [13]
He has not been able to win sleep by any means, and he is quite exhausted. Without sleep, all of days wealth seems useless. Night is the blessed barrier between day and day, as it brings with it sleep: the mother of fresh thoughts and joyous health.the author rightfully emphasis the need of sleep in a man's daily life
They spent their nights filling notebooks with diary entries, essays on passages from the Big Book, drawings of skulls and heroin-is-the-devil poetry. Hamm rose up the ranks, graduating from barracks-style accommodations with bunk beds and communal showers to semi-private quarters.
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).
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