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As a literary mode, sentimentalism, the practice of being sentimental, and thus tending towards making emotions and feelings the basis of a person's actions and reactions, as opposed to reason, [1] has been a recurring aspect of world literature. Sentimentalism includes a variety of aspects in literature, such as sentimental poetry, the ...
The sentimental novel or the novel of sensibility is an 18th-and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to ...
Sentimentalism in philosophy is a view in meta-ethics according to which morality is somehow grounded in moral sentiments or emotions. Sentimentalism in literature refers to techniques a writer employs to induce a tender emotional response disproportionate to the situation at hand [ 2 ] (and thus to substitute heightened and generally ...
Sentimentalism may refer to: Sentimentalism (philosophy) , a theory in moral epistemology concerning how one knows moral truths; also known as moral sense theory Sentimentalism (literature) , a form of literary discourse
Sentimentalism: Literary sentimentalism arose during the 18th century, partly as a response to sentimentalism in philosophy. In 18th-century England, the sentimental novel was a major literary genre. The movement was one of roots of Romanticism [27] [28] [29]
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism.She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Originating in philosophical and scientific writings, sensibility became an English-language literary movement, particularly in the then-new genre of the novel. Such works, called sentimental novels, featured individuals who were prone to sensibility, often weeping, fainting, feeling weak, or having fits in reaction to an emotionally moving ...
Whilst in the reaction to sentimentalism authors and readers alike satirised or humiliated characters with an excess of emotion, there remained those who supported elements of the genre. According to theorist Hugh Blair, the man of feeling "lives in a different sort of world from what the selfish man inhabits. He possesses a new sense, which ...