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This is a list of the most notable films produced in Cinema of Germany between 1945 and 1959. For an alphabetical list of articles on West German films see Category:West German films . Missing films may be Austrian productions .
The Big Lift is a 1950 American drama war film on location in the city of Berlin, Germany, that tells the story of "Operation Vittles", the 1948–49 Berlin Airlift, through the experiences of two U.S. Air Force sergeants played by Montgomery Clift and Paul Douglas.
List of German film lists from the 1950s. From 1949 Germany was divided into East and West Germany. Both had separate film industries. 1950 1951 ...
The Big Chance (1957 German film) Big City Secret; The Big Star Parade; The Bird Seller (1953 film) Bis fünf nach zwölf – Adolf Hitler und das 3. Reich; The Black Chapel; The Black Forest Girl (1950 film) Black Forest Melody; The Blacksmith of St. Bartholomae; Blaue Wimpel im Sommerwind; Blondes for Export; The Blue and White Lion; The Blue ...
One of the better-known attempts to win West Germany the right to rearm was the European Defense Community (EDC). A modification of the 1950 Pleven Plan, it proposed the raising of West German forces, integrated into a European Defense Force.
Because of the impact of the Second World War, and restrictions imposed on the country by the Allied Powers, film production between 1945 and 1948 was limited and did not pick up really until after 1950. See also Category:West German films. List of German films of 1945–1959; List of German films of the 1960s; List of German films of the 1970s
The Heinkel He 111, one of the technologically advanced aircraft that were designed and produced illegally in the 1930s as part of the clandestine German rearmament. German rearmament (Aufrüstung, German pronunciation: [ˈaʊ̯fˌʀʏstʊŋ]) was a policy and practice of rearmament carried out by Germany from 1918 to 1939 in violation of the Treaty of Versailles, which required German ...
At 1949, after the foundation of both the German Democratic Republic and the Federal Republic of Germany and as the existence of a Cold War between East and West became ever clearer, the East German authorities instructed DEFA's filmmakers to focus on new subjects: rather than making purely anti-Fascist films, they were now to fan anti-Western sentiment in their works.
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