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  2. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    The dominant seventh chord is frequently used to approximate a harmonic seventh chord, which is one possible just tuning, in the ratios 4:5:6:7 [1] Play ⓘ, for the dominant seventh. Others include 20:25:30:36 Play ⓘ , found on I, and 36:45:54:64, found on V, used in 5-limit just tunings and scales.

  3. Major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Major_seventh_chord

    The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:

  4. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  5. Dominant seventh sharp ninth chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_sharp...

    [12] In jazz, 7 ♯ 9 chords, along with 7 ♭ 9 chords, are often employed as the dominant chord in a minor ii–V–I turnaround. For example, a ii–V–I in C minor could be played as: Dm 7 ♭ 5 – G 7 ♯ 9 – Cm 7. The 7 ♯ 9 represents a major divergence from the world of tertian chord theory, where chords are stacks of major and ...

  6. These 50 athletes are the most dominant alive, and No. 1 is ...

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  7. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...

  8. Caitlin Clark's brother seemingly responds to Mystics owner's ...

    www.aol.com/caitlin-clarks-brother-seemingly...

    Caitlin Clark's brother, Colin, appeared to respond to Washington Mystics owner Sheila Johnson's recent comments about his sister's Time magazine cover for Athlete of the Year.

  9. Five things you need to know from No. 12 Kentucky’s dominant ...

    www.aol.com/five-things-know-no-12-025558036.html

    It was an efficient 18 points for the 6-6, 195-pound Reeves, as he made 7 of 12 shots. Mitchell, the 6-9, 231-pound transfer from West Virginia, is essentially playing “point-center” for UK.

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