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The St Mark Passion (full title: The Passion of Our Lord According to Saint Mark) of Charles Wood is a musical composition written in 1920. The work calls for solo tenor (Evangelist), solo baritone (Jesus), chorus and organ, as well as minor roles for five solo basses (Judas, High Priest, Peter, Pilate, Bystander), a solo treble (Maid), and a solo treble or alto (Maid II).
A Message Came to A Maiden Young [1] Accept Almighty Father; Adeste Fideles; Adoramus te; Adoro te devote; Agnus Dei; All Glory, Laud and Honour; All of seeing, all of hearing; Alleluia! Alleluia! Praise the Lord; Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High ...
Christian hymns are generally directed as praise to God as understood in the Christian religion. Many refer to Jesus Christ either directly or indirectly ...
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
Mark 1 is the first chapter of the Gospel of Mark in the New Testament of the Christian Bible. It recounts the proclamation of John the Baptist, the baptism of Jesus Christ, his temptations and the beginning of his ministry in Galilee. [1] The preface of the Gospel of Mark in Codex Gigas (13th century).
Mark is the only gospel with the combination of verses in Mark 4:24–25: the other gospels split them up, Mark 4:24 being found in Luke 6:38 and Matthew 7:2, Mark 4:25 in Matthew 13:12 and Matthew 25:29, Luke 8:18 and Luke 19:26.
The St Mark Passion seems to reuse virtually the whole of the Trauer Ode Laß, Fürstin, laß noch einen Strahl, BWV 198, [1] along with the two arias from Widerstehe doch der Sünde, BWV 54. In addition, two choruses from the St Mark Passion may have been reused in the Christmas Oratorio. This leaves only a couple of missing arias, which are ...
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]