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Billie Holiday Sings (MGC-118) is a 10-inch LP album made by jazz singer Billie Holiday, released in the United States by Clef Records in 1952. [5] It was her first album for the label, and her first album of original material, following several compilations of previously released 78rpm sides for Columbia, Commodore, and Decca.
The discography of Billie Holiday, an American jazz singer, consists of 12 studio albums, three live albums, 24 compilations, six box sets, and 38 singles.. Holiday recorded extensively for six labels: Columbia Records (on its subsidiary labels Brunswick Records, Vocalion Records, and Okeh Records), from 1933 through 1942; Commodore Records in 1939 and 1944; Decca Records from 1944 through ...
Billie Holiday is the third 10 inch LP album of original material by jazz singer Billie Holiday, ... (tracks B2-B4) were added to Solitude. Track listing. A side
Solitude" was recorded at least 28 times between 1934 and 1942. [7] Vocalist Billie Holiday recorded the song several times in the 1940s and 1950s, "with the world-weariness of the words matching to an almost disturbing degree her late-career persona". [8] One of her renditions was added to the Grammy Hall of Fame in 2021. [9]
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed " Lady Day " by her friend and music partner, Lester Young , Holiday made a significant contribution to jazz music and pop singing.
1968 – The blues rock–jazz fusion band Blood, Sweat & Tears interpreted the song on their double Platinum album Blood, Sweat & Tears, with vocals by David Clayton-Thomas. [7] 1972 - Diana Ross performed the song in the 1972 film Lady Sings the Blues. The soundtrack album hit #1 on the Billboard album chart for the weeks of April 7 & 14 ...
Scott Yanow of AllMusic stated: "Trumpeter Terence Blanchard's tribute to Billie Holiday is a rather melancholy and often downbeat affair. Sounding less original than usual (he displays a strong Wynton Marsalis influence and also hints at times at both Miles Davis and Thad Jones), there is little joy to these renditions of Lady Day material other than the second half of "I Cried for You."
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