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The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, [2] that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ratio of arsis to ...
TAIL (28D: Part of a cat costume) My cat, Willow, is delighted to see this clue, as she thinks it has been far too long (eight days!) since we have seen a cat-related clue. Here's a photo of ...
EM-BED-DED: The word BED is EMBEDDED in each theme answer: I'D BE DELIGHTED, WEB EDITOR, and BABE DIDRIKSON. The hyphens in the title helped make spotting today's theme fairly straightforward. I ...
The larger Sunday crossword, which appears in The New York Times Magazine, is an icon in American culture; it is typically intended to be a "Wednesday or Thursday" in difficulty. [7] The standard daily crossword is 15 by 15 squares, while the Sunday crossword measures 21 by 21 squares.
The pyrrhic is rightfully dismissed. Its existence in either ancient or modern rhythm is purely chimerical, and the insisting on so perplexing a nonentity as a foot of two short syllables, affords, perhaps, the best evidence of the gross irrationality and subservience to authority which characterise our Prosody. [4]
An example of a blunt line becoming pendant in catalexis is Goethe's poem Heidenröslein, [2] or, in the same metre, the English carol Good King Wenceslas: Good King Wenceslas looked out, (4 beats, blunt) On the Feast of Stephen, (3 beats, pendant) When the snow lay round about, (4 beats, blunt) Deep and crisp and even; (3 beats, pendant)
The New York Times review of The Song of Hiawatha was scathing. [26] The anonymous reviewer judged that the poem "is entitled to commendation" for "embalming pleasantly enough the monstrous traditions of an uninteresting, and, one may almost say, a justly exterminated race. As a poem, it deserves no place" because there "is no romance about the ...
The poem is recited in the 1998 film, Velvet Goldmine. [citation needed] The 2003 movie, Identity, repeats the last verse of the poem at various parts in the movie, replacing its last presented line by the actual last line of the first verse. [citation needed] The 2009 horror film, The Haunting in Connecticut, quotes part of the poem. [citation ...