enow.com Web Search

Search results

  1. Results from the WOW.Com Content Network
  2. Difference and Repetition - Wikipedia

    en.wikipedia.org/wiki/Difference_and_repetition

    Deleuze's 'Difference and Repetition': A Reader's Guide. New York and London: Continuum, 2009. Somers-Hall, Henry. Deleuze's 'Difference and Repetition: An Edinburgh Philosophical Guide. Edinburgh: Edinburgh University Press, 2013; Williams, James. Gilles Deleuze’s 'Difference and Repetition': A Critical Introduction and Guide.

  3. Cinema 1: The Movement Image - Wikipedia

    en.wikipedia.org/wiki/Cinema_1:_The_Movement_Image

    Against this background', comments Sinclair, 'Gilles Deleuze's return to Bergson in the 1950s and 1960s looks all the more idiosyncratic'. [8] As Sinclair goes on to explain, over a series of publications including Bergsonism (1966) and Difference and Repetition (1968), Deleuze championed Bergson as a thinker of 'difference that proceeds any ...

  4. Gilles Deleuze - Wikipedia

    en.wikipedia.org/wiki/Gilles_Deleuze

    Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.

  5. Deterritorialization - Wikipedia

    en.wikipedia.org/wiki/Deterritorialization

    Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.

  6. Cinema 2: The Time-Image - Wikipedia

    en.wikipedia.org/wiki/Cinema_2:_The_Time-Image

    According to Rodowick, 'time-images emerge from what Deleuze calls, in Difference and Repetition, the three passive syntheses of time'. [6] A number of other theorists have gone on to suggest very different relations between Deleuze's full taxonomy of cinema and Difference and Repetition . [ 7 ]

  7. Desiring-production - Wikipedia

    en.wikipedia.org/wiki/Desiring-production

    Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...

  8. Plane of immanence - Wikipedia

    en.wikipedia.org/wiki/Plane_of_immanence

    Plane of immanence (French: plan d'immanence) is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze. Immanence, meaning residing or becoming within, generally offers a relative opposition to transcendence, that which extends beyond or outside. Deleuze "refuses to see deviations, redundancies, destructions ...

  9. Univocity of being - Wikipedia

    en.wikipedia.org/wiki/Univocity_of_being

    He claimed that being is univocal, i.e., that all of its senses are affirmed in one voice. Deleuze adapts the doctrine of univocity to claim that being is, univocally, difference. "With univocity, however, it is not the differences which are and must be: it is being which is Difference, in the sense that it is said of difference.