Search results
Results from the WOW.Com Content Network
The American Mural Project (AMP) is a nonprofit arts center located in Winsted, Connecticut, that offers exhibits, events, and educational programs. Its central exhibit is an indoor three-dimensional mural —a tribute to American workers measuring 120 feet long and five stories high.
Russian Schoolroom (1967), also known as The Russian Classroom and Russian Schoolchildren, is an oil on canvas painting created by American illustrator Norman Rockwell (1894–1978) and commissioned by Look magazine. It depicts Soviet schoolchildren in a classroom with a bust of Soviet leader Vladimir Lenin.
He portrayed Commander Mark in The Secret City, a fictional space-themed series where he taught child viewers skills and vocabulary to become better artists. [9] Each episode included a segment where Mark would add to a large 12-foot mural that was added to each episode using a technique or several techniques learned throughout the series.
Pageant of Oregon History, or A Pageant of Oregon History, is a 300-square-foot (28 m 2) mural by Erich Lamade, painted on the interior of Abernethy Elementary School in southeast Portland, Oregon's Hosford-Abernethy neighborhood, in the United States.
Working primarily in spray paint and acrylic paint, Bergner has created large public murals in many US cities and in Brazil, Jordan, India, [18] Cuba, Kenya, Estonia, South Africa, Mexico, Norway, Israel and the Palestinian territories, [1] [8] Mozambique, Poland, Cape Verde, El Salvador, Germany, the UK, Sweden and Peru.
1881 painting by Marie Bashkirtseff, In the Studio, depicts an art school life drawing session, Dnipropetrovsk State Art Museum, Dnipropetrovsk, Ukraine. Visual arts education is the area of learning that is based upon the kind of art that one can see, visual arts—drawing, painting, sculpture, printmaking, and design in jewelry, pottery, weaving, fabrics, etc. and design applied to more ...
After the murals she was offered a job in 1970 as the director of a new citywide mural program. She was in charge of creating this program from the ground up, which included choosing where murals would go, designing the murals, and supervising the mural painting teams, which would consist of teenagers who were in trouble with the police.
The murals depict scenes of work and torture that the native peoples of the Yucatán endured under Spanish control. The reality of early henequen workers are seen in El henequen. A traditional creation myth of the native tribes is also depicted by Castro Pacheco in his work Hombres de maiz. The murals are oil paintings on large format canvas.