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Bachata arose in the poor and working class areas of the country. During the 1960s and early 1970s, while bachata was known as amargue music, it was seen as music of the lower class by middle-upper-class Dominicans. The genre's popularity rose in the 1980s and early 1990s when the rhythm began to reach the mainstream media.
The form of dance, bachata, also developed with the music. [2] Bachata arose in the poor and working class areas of the country. During the 1960s and early 1970s, while bachata was known as amargue music, it was seen as music of the lower class by middle-upper-class Dominicans.
NWIG: New West Indian Guide. 72 (3/4): 340– 342. JSTOR 41849947. Chasteen, John Charles (1998). "Bachata: A Social History of Dominican Popular Music". Hispanic American Historical Review. 78 (1): 144– 145. - Also at ProQuest; Reily, Suzel Ana (1997). "Bachata: A Social History of a Dominican Popular Music". Journal of the Royal ...
Often referred to in the West as "authentic / Dominican" bachata, the original social dance was created in the Dominican Republic during the 1960s and was danced only in closed position, like the bolero, often in a close embrace [citation needed], often involving skin-to-skin belly-to-belly contact. [2]
Bachatón (also known as bachateo) is a fusion genre of reggaeton from Panama and Puerto Rico [1] [2] [3] as well as bachata from the Dominican Republic. Bachaton combines bachata melodies and reggaeton style beats, lyrics, rapping, and disc jockeying. The word "bachatón" is a portmanteau of "bachata" and "reggaeton". "Bachatón" was coined ...
Spanish Reggae was a product of musical movements in Jamaica and Panama, while Spanish Hip-Hop was created by the influence of Hip-Hop in the U.S. at the time. [16] Reggaeton was developed in areas of Public housing in Puerto Rico, known as "caserios," which were filled with urban poverty and criminal activity such as drug violence. [17]
By the mid-20th century Antigua and Barbuda boasted lively calypso and steelpan scenes as part of its annual Carnival celebration. Hell's Gate, along with Brute Force and the Big Shell Steelband, were the first Caribbean steelbands to be recorded and featured on commercial records thanks to the efforts of the American record producer Emory Cook. [5]
Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. [6] Following protests from Latinos in New York, a category for Latin music was created by National Recording Academy (NARAS) for the Grammy Awards titled Best Latin Recording in 1975. [14]