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Bachata arose in the poor and working class areas of the country. During the 1960s and early 1970s, while bachata was known as amargue music, it was seen as music of the lower class by middle-upper-class Dominicans. The genre's popularity rose in the 1980s and early 1990s when the rhythm began to reach the mainstream media.
Bachata originates from bolero and son (and later, from the mid-1980s, merengue). The original term used to name the genre was amargue ("bitterness", "bitter music"), until the mood-neutral term bachata became popular. The form of dance, bachata, also developed with the music. [2] Bachata arose in the poor and working class areas of the country.
Gage Averill of New York University concluded that overall the work is "remarkable and readable", although it is "uneven in places". [4]John Charles Chasteen of the University of North Carolina at Chapel Hill praised the book for being "lucid" and reflecting the author's knowledge of the subject.
Bachata has evolved and risen in popularity over the last 40 years in the Dominican Republic and other areas (such as Puerto Rico) with the help of artists such as Antony Santos, Luis Segura, Luis Vargas, Teodoro Reyes, Yoskar Sarante, Alex Bueno, and Aventura. Bachata, merengue and salsa are now equally popular among Spanish-speaking Caribbean ...
Bachata may refer to: Bachata (music), a musical genre which originated in the Dominican Republic. Traditional bachata, a subgenre of bachata music; Bachata (dance), a dance form; Bachatón, a hybrid bachata/reggaeton music style "Bachata" (song), a song by Lou Bega "La Bachata", a song by Manuel Turizo; Bachata: A Social History of a Dominican ...
Traditional bachata is a subgenre of Bachata music genre. It refers to the acoustic style of bachata that was popular in the Dominican Republic from the 1960s until about 1990. For most of that period, bachata was performed with two nylon string guitars (often with fishing line for string), an acoustic upright bass or marimbula, maracas, and ...
Thus the Caribbean was colonized as part of the various European empires. Native cultures were further eroded when the Europeans imported African slaves to work the sugar and coffee plantations on their island colonies. In many cases, native cultures (and native musics) were replaced by those imported from Africa and Europe.
Spain had no help from European powers. Indeed, Britain (and the United States) worked against it. When they were cut off from Spain, the colonies saw a struggle for power between Spaniards who were born in Spain (called "peninsulares") and those of Spanish descent born in New Spain (called "creoles"). The creoles were the activists for ...