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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In geometry, a vertex (pl.: vertices or vertexes) is a point where two or more curves, lines, or edges meet or intersect. As a consequence of this definition, the point where two lines meet to form an angle and the corners of polygons and polyhedra are vertices.
Music theory analyzes the pitch, timing, and structure of music. It uses mathematics to study elements of music such as tempo, chord progression, form, and meter. The attempt to structure and communicate new ways of composing and hearing music has led to musical applications of set theory, abstract algebra and number theory.
Godfried Toussaint (1944–2019) was a Belgian–Canadian computer scientist who worked as a professor of computer science for McGill University and New York University.His main professional expertise was in computational geometry, [2] but he was also a jazz drummer, [3] held a long-term interest in the mathematics of music and musical rhythm, and since 2005 held an affiliation as a researcher ...
By considering the connectivity of these neighboring vertices, a vertex figure can be constructed for each vertex of a polytope: Each vertex of the vertex figure coincides with a vertex of the original polytope. Each edge of the vertex figure exists on or inside of a face of the original polytope connecting two alternate vertices from an ...
In musical notation, the different vertical positions of notes indicate different pitches. Play top: Play bottom: Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2]
Modulation is sometimes said to be problematic for shape-note systems, since the shapes employed for the original key of the piece no longer match the scale degrees of the new key; [5] but the ability to use of sharp and flat symbols along with shape notes is a matter of the range of sorts available to the typographer and musical preferences.
Tessellations of euclidean and hyperbolic space may also be considered regular polytopes. Note that an 'n'-dimensional polytope actually tessellates a space of one dimension less. For example, the (three-dimensional) platonic solids tessellate the 'two'-dimensional 'surface' of the sphere.